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Hancock

  • Oct. 7th, 2008 at 1:34 PM
naanima: ([Smallville] When the world goes flying)
"For every evil under the sun, there is a remedy or there is none.
If there be one, seek till you find it; If there be none, never mind it."

---Mother Goose

Watched Hancock yesterday. For a superhero film it certainly left an impression. I'm strangely philosophical and mournful about it.


The movie didn't sit well with me on several levels. Much of my dissatisfaction lay with the idea that mortality, growing old together, and being hurt is a gift for Hancock and Mary. That Hancock and Mary can’t be together despite the love they have for one another, because apparently being in love and together means weakness and death, being a hero means you have to be alone. It isn’t bad, it is just a world view that I disagree with.

Also, the use of mortality and/or human emotions as a gift for immortal beings in fiction doesn’t sit well with me. It feels like deceit, a way for us, humans, to feel good about our lives, to create meaning where they may be none.

It is difficult to articulate what I feel for this movie because yes, it is definitely a Saturday pop-corn film, but at the same time I feel like it was trying to say something else but got horribly confused in its message. Because if you think about it Mary will survive her mortal husband, but it doesn’t, can’t go anywhere further because Hancok and Mary want to protect each other, which means they can’t be together. Because being together means pain and death.

The whole thing is frustrating because it can work a super hero film, but it doesn’t because the ‘final fight’ with the bad guys isn’t even the climax, the climax is Hancock flying away and Mary’s hear re-starting and taking her first breath. It isn’t a traditional romance film because Mary doesn’t end up with Hancock because she is obviously in love with her mortal husband. So, then what?

In conclusion; good film, just don't over think like I did.

Comments

velithya: (Default)
[personal profile] velithya wrote:
Oct. 7th, 2008 10:32 am (UTC)
THREESOMES IN SECLUDED LOCATIONS
[identity profile] naanima.livejournal.com wrote:
Oct. 7th, 2008 11:35 am (UTC)
An hour of sex can't mean mortality, RIGHT?!!

But definitely, the film was made for a threesome.
[identity profile] perseid.livejournal.com wrote:
Oct. 7th, 2008 10:53 am (UTC)
I agree with you about everything except the most fundamental conclusion - I thought it was a substandard film, hovering below the 'good' cutoff. In the beginning it appeared to have a good enough foundation, but which quickly crumbled under Mary's reveal. The most poignant moments were in the beginning, in the scenes when Hancock struggled without words to come to a decision to reform himself. Everything else was a little flat after that.
[identity profile] naanima.livejournal.com wrote:
Oct. 7th, 2008 11:41 am (UTC)
By good I meant it was a good superhero, Saturday pop-corn film (except it isn't quite a super hero film is it?). Total agreement with everything you said. As soon as Mary's reveal happened it felt like a different film, and I think because of that it suffered for it. Also, the beginning was definitely the strongest part of the film; characterisation and plot development. The whole thing just worked but then it just kind of went off on a tangent. It could have been an excellent filml. *SIGHS*.

Also, I'll probably give you a call sometime this week to set a time to meet up. Can't make it this Friday night, work.
[identity profile] nekomancy.livejournal.com wrote:
Oct. 9th, 2008 03:51 am (UTC)
I don't think you overthought it. Watched the movie at the cinemas, took a while for me to get over the depressive yet confused images/message.

And oh, I don't think Mary truly loves her mortal husband. Only the "want to be mortal" self-delusional facet of her loves him. I mean it's ridiculous to have this whole milleniums of love for Hancock and then within less than a decade fall for another person. But then again, I'm a hopeless romantic ;p
[identity profile] naanima.livejournal.com wrote:
Oct. 9th, 2008 06:58 am (UTC)
It is rather depressive isn't it? The whole scene in the hospital with Hancock being beaten to a meat pulp and Mary dying was pretty much one of the most depressing I have seen in awhile.

Only the "want to be mortal" self-delusional facet of her loves him. Exactly! Except I don't even think it has anything to do with her wanting to be mortal so much as wanting pretend 'Happy Family' for a few decades. I think she was lonely and since she can't be Hancock she can be someone else, for now.

I think I'm with you on the hopeless romatic train with this one.

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